#Nier automata 2b polygon count ass generator#

#Nier automata 2b polygon count ass generator#

Making a lowpoly for say a generator today will take much longer, because where a few years ago it would be a model of say a few thousand polygons (basically a merged blob och basic shapes) you now can spend tens of thousands on it, and all those pieces need to be created, even if each part is not time consuming, the grand total of time does go up. For example, if you are making the lowpoly model for a rock, its very fast today, because you can more or less automate that process. It is true that creating the highpoly-models in theory could be a static cost(it is not, however), but depending on what kind of asset you are doing, the lowpoly will take more time. You can see that they aren't properly round and are a bit angular, but for a minor prop object that is alright considering the hardware and the way they decided to put that poly budget into modeling the rims surrounding the barrel so it looks more 3-dimensional. Looked at some BotW screenshots and it seems they went with 16 faces for the barrels. Instead you use better textures and more complex shaders to make it look more realistic. The overall poly count in modern games for this barrel might not be all that much higher because you get into diminishing returns. About 24 will make you agree that it is definitely round. About 8 faces (1 face = 2 polygon so 16 polys just for the sides) will be enough to enough to identify it as trying to be round but you need at least 12 faces before you really consider it round rather than more of a octagon. If we take the venerable barrel in any game, that has become rounder over the generations. It's all about what you can get away with. There may be a correlation, but a correlation is not causation.

More complex models do not mean the budget will balloon endlessly. Again, the problem is just how many assets modern games demand. Graphics like that don't require multi-million dollar budgets, just a crapton of hardware power and a decent asset library. If we had infinite hardware grunt, every game could look like this.

Their employee counts are constantly rising alongside expectations by publishers, stockholders, and the audience that buys these games. If every dev studio were willing to have worlds as barren as that of Nier Automata we'd still be seeing budgets in the $10-20m~ range, but they're not satisfied with that. What really balloons the budget of modern video games is simply scope creep - the ever-increasing demands of an industry hell-bent on topping itself over and over again ad infinitum, increasing the scale of our virtual worlds and consequently the amount of assets that need to be created to fill those worlds. High polygon counts are the default - what we get in our games are the optimized versions created after decimating the poly count in the most intelligent ways we can manage. High-quality shaders do not require equally high amounts of money poured into graphics programmer positions (unless the dev studio is doing a lot of internal R&D, which is not terribly common).

The problem is number and variety of assets. Next is the part that is the most fun: I work on adding details on a high quality model.I really wish the 'better graphics are (monetarily) expensive!' myth would die already. It is difficult to regress 3D models these days, so it is also necessary to design the data while looking ahead to the impact that it may have on the project in the future. Is this silhouette going to be final? Is it created in a way that the animators won’t have a hard time animating? How many bones will it have and how will we control the parts that will move?ĢB was also a character that would become the benchmark for the project, so I had to think about the basis for body proportions and modelling, designing the shader, and even the cost associated with mass production, all while creating this rough model. When we mention a rough model, you may think that it can be very rough, but this is actually where I have to tax my brain quite a bit. I then had our game director Yoko Taro check the model as well and received a “great!” from him! I had referenced many things to create this model, such as games that Yoshida-san had worked on in the past (the character models for Final Fantasy XII are amazing…).